Alves, Carlos
Vol. 4: OA#1: LISTENING AND MAPPING THE SONIC. PLURALITY AND WAYFARING: WRITING THE OPENSOUND PROJECT J. Milo Taylor, Carlos Alves, Xabier Erkizia, Julien Ottavi, Wajid Yaseen
[Article] 
Anderson, Isobel
Vol. 2: VOICE, NARRATIVE, PLACE: Listening to Stories Isobel Anderson
[Abstract] [Article] 
Banks Mailman, Joshua
Vol. 2: SEVEN METAPHORS FOR (MUSIC) LISTENING: DRAMaTIC Joshua Banks Mailman
[Abstract] [Article] 
Batcho, James
Vol. 6: THE SONIC LIFEWORLD: A PHENOMENOLOGICAL EXPLORATION OF THE IMAGINATIVE POTENTIAL OF ANIMATION SOUND James Batcho
[Abstract] [Article] 
Benyon, David
Vol. 6: USING PARTICIPATORY VISUALISATION OF SOUNDSCAPES TO COMPARE DESIGNERS’ AND LISTENERS’ EXPERIENCES OF SOUND DESIGNS Iain McGregor, Phil Turner, David Benyon
[Abstract] [Article] 
Birdsall, Carolyn
Vol. 3: EDITORIAL: Rethinking Theories of Television Sound Carolyn Birdsall, Anthony Enns
[Article] 
Butera, Michael V.
Vol. 1: MUSIC CITY EXCESSES: Phenomenological Thresholds and Nashville Noise Regulations Michael V. Butera
[Abstract] [Article] 
Cascella, Daniela
Vol. 2: REVIEW: Salomé Voegelin, Listening to Noise and Silence. Towards a Philosophy of Sound Art Daniela Cascella
[Article] 
Chattopadhyay, Budhaditya
Vol. 4: AUDITORY SITUATIONS: NOTES FROM NOWHERE Budhaditya Chattopadhyay
[Abstract] [Article] 
Cobussen, Marcel
Vol. 6: REVIEW: CATHY LANE & ANGUS CARLYLE, IN THE FIELD: THE ART OF FIELD RECORDING Marcel Cobussen
[Article] Vol. 5: SOUND ART: KLANG ALS MEDIUM DER KUNST Jan Nieuwenhuis, Sharon Stewart, Vincent Meelberg, Marcel Cobussen
[Abstract] [Article] Vol. 5: BREACHING SONIC BARRIERS? SOUND STUDIES AS A TRANSDISCIPLINE Vincent Meelberg, Marcel Cobussen, Sharon Stewart, Jan Nieuwenhuis
[Article] Vol. 5: EDITORIAL: One Month in the Life of the JSS Editors Marcel Cobussen
[Article] Vol. 4: EDITORIAL: TOWARDS NEW SONIC EPISTEMOLOGIES Marcel Cobussen, Holger Schulze, Vincent Meelberg
[Article] Vol. 2: EDITORIAL: Listenings Marcel Cobussen, Vincent Meelberg
[Article] Vol. 2: REVIEW: Ruth Herbert, Everyday Music Listening. Absorption, Dissociation and Trancing Marcel Cobussen
[Article] Vol. 1: REFLECTIONS ON SONIC ENVIRONMENTS Vincent Meelberg, Marcel Cobussen
[Abstract] [Article] Vol. 1: EDITORIAL: Aiming for an Impossibility? Vincent Meelberg, Marcel Cobussen
[Article] 
Collins, Karen
Vol. 6: SOUND DESIGN FOR MEDIA: INTRODUCING STUDENTS TO SOUND Karen Collins, Bill Kapralos
[Abstract] [Article] 
Deane, Cormac
Vol. 3: THE HISS OF DATA Cormac Deane
[Abstract] [Article] 
Deaville, James
Vol. 3: THE ENVOICING OF PROTEST: OCCUPYING TELEVISION NEWS THROUGH SOUND AND MUSIC James Deaville
[Abstract] [Article] 
Delmotte, Isabelle
Vol. 6: TUNED IN AND HANDS ON: SOUND DESIGNERS BEYOND TECHNICAL EXPERTISE Isabelle Delmotte
[Abstract] [Article] 
Dyrssen, Catharina
Vol. 1: MODELLING THE SHOPPING SOUNDSCAPE Björn Hellström, Per Sjösten, Anders Hultqvist, Catharina Dyrssen, Staffan Mossenmark
[Abstract] [Article] 
Enns, Anthony
Vol. 3: EDITORIAL: Rethinking Theories of Television Sound Carolyn Birdsall, Anthony Enns
[Article] Vol. 3: THE ACOUSTIC SPACE OF TELEVISION Anthony Enns
[Abstract] [Article] 
Erkizia, Xabier
Vol. 4: OA#1: LISTENING AND MAPPING THE SONIC. PLURALITY AND WAYFARING: WRITING THE OPENSOUND PROJECT J. Milo Taylor, Carlos Alves, Xabier Erkizia, Julien Ottavi, Wajid Yaseen
[Article] 
Fluegge, Elen
Vol. 1: THE CONSIDERATION OF PERSONAL SOUND SPACE: Toward a Practical Perspective on Individualized Auditory Experience Elen Fluegge
[Abstract] [Article] 
Gershon, Walter
Vol. 4: RESOUNDING SCIENCE: A SONIC ETHNOGRAPHY OF AN URBAN FIFTH GRADE CLASSROOM Walter Gershon
[Abstract] [Article] 
Hagen, Trever
Vol. 6: REVIEW: CAROLYN BIRDSALL, NAZI SOUNDSCAPES: SOUND, TECHNOLOGY AND URBAN SPACE IN GERMANY, 1933-1945 Trever Hagen
[Article] 
Hallam, Huw
Vol. 2: THE PRODUCTION OF LISTENING: on Biopolitical Sound and the Commonplaces of Aurality Huw Hallam
[Abstract] [Article] 
Hellström, Björn
Vol. 1: MODELLING THE SHOPPING SOUNDSCAPE Björn Hellström, Per Sjösten, Anders Hultqvist, Catharina Dyrssen, Staffan Mossenmark
[Abstract] [Article] 
Henriques, Julian
Vol. 1: AUDITORY AND TECHNOLOGICAL CULTURE: The Fine-Tuning of the Dancehall Sound System “Set” Julian Henriques
[Abstract] [Article] 
Herbert, Ruth
Vol. 2: MODES OF MUSIC LISTENING AND MODES OF SUBJECTIVITY IN EVERYDAY LIFE Ruth Herbert
[Abstract] [Article] 
Hollerweger, Florian
Vol. 4: STRAßENMUSIK AND EARDVERTS: PUBLIC LISTENING INTERVENTIONS AS AN ARTISTIC PRACTICE FOR ENCOURAGING AURAL AWARENESS IN AN EVERYDAY CONTEXT Florian Hollerweger
[Abstract] [Article] 
Horsman, Yasco
Vol. 3: REVIEW: Andy Birtwistle, Cinesonica: Sounding Film and Video. Yasco Horsman
[Article] 
Hug, Daniel
Vol. 6: FROM FOLEY TO FUNCTION: A PEDAGOGICAL APPROACH TO SOUND DESIGN FOR NOVEL INTERACTIONS Daniel Hug, Moritz Kemper
[Abstract] [Article] 
Hultqvist, Anders
Vol. 1: MODELLING THE SHOPPING SOUNDSCAPE Björn Hellström, Per Sjösten, Anders Hultqvist, Catharina Dyrssen, Staffan Mossenmark
[Abstract] [Article] 
Høier, Svein
Vol. 3: THE RELEVANCE OF POINT OF AUDITION IN TELEVISION SOUND: RETHINKING A PROBLEMATIC TERM Svein Høier
[Abstract] [Article] 
Højlund, Marie
Vol. 6: ALARMING ATMOSPHERES - EMBODIED SOUND HABITUATION AS DESIGN STRATEGY IN A NEURO-INTENSIVE CARE UNIT Marie Højlund, Sofie Kinch
[Abstract] [Article] 
Kapralos, Bill
Vol. 6: SOUND DESIGN FOR MEDIA: INTRODUCING STUDENTS TO SOUND Karen Collins, Bill Kapralos
[Abstract] [Article] 
Kemper, Moritz
Vol. 6: FROM FOLEY TO FUNCTION: A PEDAGOGICAL APPROACH TO SOUND DESIGN FOR NOVEL INTERACTIONS Daniel Hug, Moritz Kemper
[Abstract] [Article] 
Kinch, Sofie
Vol. 6: ALARMING ATMOSPHERES - EMBODIED SOUND HABITUATION AS DESIGN STRATEGY IN A NEURO-INTENSIVE CARE UNIT Marie Højlund, Sofie Kinch
[Abstract] [Article] 
Koutsomichalis, Marinos
Vol. 4: ON SOUNDSCAPES, PHONOGRAPHY, AND ENVIRONMENTAL SOUND ART Marinos Koutsomichalis
[Abstract] [Article] 
Lewis-King, Michelle
Vol. 4: TOUCHING AS LISTENING: PULSE PROJECT Michelle Lewis-King
[Abstract] [Article] 
McGregor, Iain
Vol. 6: USING PARTICIPATORY VISUALISATION OF SOUNDSCAPES TO COMPARE DESIGNERS’ AND LISTENERS’ EXPERIENCES OF SOUND DESIGNS Iain McGregor, Phil Turner, David Benyon
[Abstract] [Article] 
Meelberg, Vincent
Vol. 6: EDITORIAL: DESIGNING OUR SONIC LIVES Vincent Meelberg, Elif Özcan
[Article] Vol. 5: SOUND ART: KLANG ALS MEDIUM DER KUNST Jan Nieuwenhuis, Sharon Stewart, Vincent Meelberg, Marcel Cobussen
[Abstract] [Article] Vol. 5: BREACHING SONIC BARRIERS? SOUND STUDIES AS A TRANSDISCIPLINE Vincent Meelberg, Marcel Cobussen, Sharon Stewart, Jan Nieuwenhuis
[Article] Vol. 4: EDITORIAL: TOWARDS NEW SONIC EPISTEMOLOGIES Marcel Cobussen, Holger Schulze, Vincent Meelberg
[Article] Vol. 2: EDITORIAL: Listenings Marcel Cobussen, Vincent Meelberg
[Article] Vol. 1: REFLECTIONS ON SONIC ENVIRONMENTS Vincent Meelberg, Marcel Cobussen
[Abstract] [Article] Vol. 1: EDITORIAL: Aiming for an Impossibility? Vincent Meelberg, Marcel Cobussen
[Article] 
Mossenmark, Staffan
Vol. 1: MODELLING THE SHOPPING SOUNDSCAPE Björn Hellström, Per Sjösten, Anders Hultqvist, Catharina Dyrssen, Staffan Mossenmark
[Abstract] [Article] 
Murray Schafer, R.
Vol. 2: ON LISTENING: Keynote Speech at the 2011 World Forum for Acoustic Ecology in Corfu, Greece R. Murray Schafer
[Article] 
Nieuwenhuis, Jan
Vol. 5: SOUND ART: KLANG ALS MEDIUM DER KUNST Jan Nieuwenhuis, Sharon Stewart, Vincent Meelberg, Marcel Cobussen
[Abstract] [Article] Vol. 5: BREACHING SONIC BARRIERS? SOUND STUDIES AS A TRANSDISCIPLINE Vincent Meelberg, Marcel Cobussen, Sharon Stewart, Jan Nieuwenhuis
[Article] 
Norman, Katharine
Vol. 4: WINDOW - AN UNDECIDED SOUND ESSAY Katharine Norman
[Article] 
Ottavi, Julien
Vol. 4: OA#1: LISTENING AND MAPPING THE SONIC. PLURALITY AND WAYFARING: WRITING THE OPENSOUND PROJECT J. Milo Taylor, Carlos Alves, Xabier Erkizia, Julien Ottavi, Wajid Yaseen
[Article] 
Patch, Justin
Vol. 4: CAUGHT IN THE CURRENT: WRITING ETHNOGRAPHY THAT LISTENS Justin Patch
[Abstract] [Article] 
Schubert, Evy
Vol. 1: ON THE PERFORMANCE OF SOUND: The Acoustic Territory of Post-War Sarajevo, Bosnia and Herzegovina Evy Schubert
[Abstract] [Article] 
Schulze, Holger
Vol. 4: EDITORIAL: TOWARDS NEW SONIC EPISTEMOLOGIES Marcel Cobussen, Holger Schulze, Vincent Meelberg
[Article] Vol. 4: ADVENTURES IN SONIC FICTION: A HEURISTIC FOR SOUND STUDIES Holger Schulze
[Abstract] [Article] 
Sedman, David
Vol. 3: THE LEGACY OF BROADCAST STEREO SOUND: THE SHORT LIFE OF MTS, 1984-2009 David Sedman
[Abstract] [Article] 
Sjösten, Per
Vol. 1: MODELLING THE SHOPPING SOUNDSCAPE Björn Hellström, Per Sjösten, Anders Hultqvist, Catharina Dyrssen, Staffan Mossenmark
[Abstract] [Article] 
St. Clair, Justin
Vol. 3: WHITE NOISE AND TELEVISION SOUND Justin St. Clair
[Abstract] [Article] 
Stewart, Sharon
Vol. 5: SOUND ART: KLANG ALS MEDIUM DER KUNST Jan Nieuwenhuis, Sharon Stewart, Vincent Meelberg, Marcel Cobussen
[Abstract] [Article] Vol. 5: BREACHING SONIC BARRIERS? SOUND STUDIES AS A TRANSDISCIPLINE Vincent Meelberg, Marcel Cobussen, Sharon Stewart, Jan Nieuwenhuis
[Article] Vol. 2: LISTENING TO DEEP LISTENING: Reflection on the 1988 Recording and the Lifework of Pauline Oliveros Sharon Stewart
[Abstract] [Article] 
Taylor, J. Milo
Vol. 4: OA#1: LISTENING AND MAPPING THE SONIC. PLURALITY AND WAYFARING: WRITING THE OPENSOUND PROJECT J. Milo Taylor, Carlos Alves, Xabier Erkizia, Julien Ottavi, Wajid Yaseen
[Article] 
Thibaud, Jean-Paul
Vol. 1: A SONIC PARADIGM OF URBAN AMBIANCES Jean-Paul Thibaud
[Abstract] [Article] 
Truax, Barry
Vol. 4: FROM EPISTEMOLOGY TO CREATIVITY: A PERSONAL VIEW Barry Truax
[Abstract] [Article] 
Turner, Phil
Vol. 6: USING PARTICIPATORY VISUALISATION OF SOUNDSCAPES TO COMPARE DESIGNERS’ AND LISTENERS’ EXPERIENCES OF SOUND DESIGNS Iain McGregor, Phil Turner, David Benyon
[Abstract] [Article] 
Vayo, Isaac
Vol. 1: WE THREE, KINGED: CROWNING THE AURAL ON 9/11 Isaac Vayo
[Abstract] [Article] 
Vickers, Paul
Vol. 2: WAYS OF LISTENING AND MODES OF BEING: Electroacoustic Auditory Display Paul Vickers
[Abstract] [Article] 
Voegelin, Salomé
Vol. 2: ETHICS OF LISTENING Salomé Voegelin
[Article] 
Volmar, Axel
Vol. 4: SONIC FACTS FOR SOUND ARGUMENTS: MEDICINE, EXPERIMENTAL PHYSIOLOGY, AND THE AUDITORY CONSTRUCTION OF KNOWLEDGE IN THE 19TH CENTURY Axel Volmar
[Abstract] [Article] 
Waldock, Jacqueline
Vol. 1: SOUNDMAPPING: Critiques And Reflections On This New Publicly Engaging Medium Jacqueline Waldock
[Abstract] [Article] 
Walraven, Maarten
Vol. 4: HISTORY AND ITS ACOUSTIC CONTEXT: SILENCE, RESONANCE, ECHO AND WHERE TO FIND THEM IN THE ARCHIVE Maarten Walraven
[Abstract] [Article] 
Wang Jing, Adel
Vol. 2: AFFECTIVE LISTENING: China’s Experimental Music and Sound Art Practice Adel Wang Jing
[Abstract] [Article] 
Yaseen, Wajid
Vol. 4: OA#1: LISTENING AND MAPPING THE SONIC. PLURALITY AND WAYFARING: WRITING THE OPENSOUND PROJECT J. Milo Taylor, Carlos Alves, Xabier Erkizia, Julien Ottavi, Wajid Yaseen
[Article] 
Özcan, Elif
Vol. 6: EDITORIAL: DESIGNING OUR SONIC LIVES Vincent Meelberg, Elif Özcan
[Article] Vol. 6: THE HARLEY EFFECT: INTERNAL AND EXTERNAL FACTORS THAT FACILITATE POSITIVE EXPERIENCES WITH PRODUCT SOUNDS Elif Özcan
[Abstract] [Article]